Rotoscoping jobs

I have a short, 15-second clip and need the on-screen person replaced entirely with me—head-to-toe, not just a face. The subject shifts position a few times, so you’ll be working with both moving and momentarily stationary frames. Please use whichever combination of AI-driven body replacement, motion tracking, rotoscoping, and compositing tools you trust most (e.g., DeepFaceLab, Runway, After Effects, Fusion, or similar). The finished piece has to hold up in crisp HD without obvious artifacts, jitter, or mismatched lighting. Once complete, send me: • The final 1920 × 1080 video with original audio intact • Any project files or presets so I can make tweaks later if needed Let me know your typical turnaround time and any footage or reference photo...

...around me so my movement stays clear and the tasks are instantly readable. No heavy color flashes; think clean, modern, slightly translucent overlays that feel straight out of the anime. I’ll send you the vertical clip of me in action plus any logos or fonts you need. You handle: • Designing and animating the Solo Leveling–style interface • Compositing it with my footage (clean masking / rotoscoping) • Color-matching so the UI feels integrated, not pasted on • Delivering the final video in MP4 and a version with alpha or transparent background in case I want future tweaks If you work in After Effects, Premiere, or similar, great—just keep project files organized so I can revisit them later. The finished piece should be punchy, m...

I have several pieces of live-action footage that require clean, frame-accurate rotoscoping of every visible layer—people in the foreground, key objects they interact with, and even the shifting backgrounds. Your task is to isolate these three elements and deliver an image sequence with an embedded alpha channel so that each layer drops straight into our compositing pipeline with no extra prep. Edges should be razor-sharp yet natural, with careful attention to hair detail, motion blur, and any subtle transparency. I will supply the original plates (ProRes 4444) along with reference stills that show how each element should read once separated. Please return: • Image sequence (PNG or EXR, 16-bit) with premultiplied alpha for every shot • A brief notes file indic...

...clear narrative arc from my script and voice-over. • Sourcing or generating relevant stock footage, photos, or subtle motion graphics to illustrate key concepts. • Designing clean lower thirds, chapter cards, and animated text that reinforce ideas without clutter. • Using AI tools (e.g., Descript for rough cuts, Adobe Premiere’s Sensei, Runway, or similar) when they genuinely speed up rotoscoping, background removal, or B-roll generation. I’m open to your preferred stack as long as the final result feels cohesive. • Delivering 8–10 minute 1080p (or higher) videos ready for upload, plus the project files so I can tweak if needed. Acceptance criteria 1. Smooth, distraction-free edits that maintain a narrative pace. 2. Consistent co...

I have two short video clips that need polished VFX work: Clip 1 – static camera The entire background has to go. I will supply visual references for the new environment, so your task is clean rotoscoping, precise masking and seamless compositing that makes the replacement look like it was shot in-camera. Clip 2 – moving camera Only part of the sky must be swapped. The shot keeps the foreground, so I need solid motion tracking, lighting match and edge blending to keep everything natural as the camera moves. What I’m looking for • Proven experience with background removal, rotoscoping, motion tracking and sky replacement (After Effects, Mocha, Nuke or similar). • High-quality, realistic results with clean edges and no color fringing. &b...

...that let the relatives interact with each other on screen. The original background must stay in place, but feel free to enhance it for clarity, color balance, and depth so the final piece looks like it was captured on the same day. All animation has to be done in portrait orientation so it fits modern phone screens perfectly. You may choose whatever pipeline suits you best—AI motion tools, rotoscoping, compositing in After Effects, EbSynth, DeepMotion, or similar—as long as the end result looks photorealistic rather than cartoon. Smooth transitions, matched eye lines, and believable shadows are key. Deliverables • One 1–2 minute, portrait-orientation video (1080x1920 or higher, MP4/MOV) that follows the provided script exactly • Source project fi...

...digital twin capable of interacting with multiple versions of itself within the same cinematic environment. The production combines advanced compositing, AI-generated character duplication, facial consistency workflows, environment manipulation, and cinematic storytelling to create the illusion of parallel realities colliding. The workflow includes AI-assisted character generation, seamless rotoscoping, camera tracking, environment reconstruction, advanced color science, and realistic shadow and reflection integration. Each character instance exhibits unique behaviors, emotions, and narrative arcs while maintaining visual authenticity. The final result demonstrates the fusion of artificial intelligence, visual effects, and high-end post-production techniques to deliver a compell...

Looking for a mot...looking for stylish, modern typography animation where text becomes part of the visual storytelling. Requirements * Animate text in different sizes, weights, and styles throughout the video * Create dynamic text compositions that feel integrated into the footage * Text should interact with the environment and subjects in the frame * Some words may appear behind people or objects using masking/rotoscoping techniques * Creative use of scale, position, timing, and motion * Modern, premium, social-media-friendly aesthetic * Smooth transitions and visually engaging animations * Only commercially licensed fonts may be used. Please avoid trial, personal-use, or restricted-license fonts. Any fonts included in the final project must be cleared for commercial use and dis...

I have a run of feature-film shots that need precise, production-level rotoscoping. The plates come in at 2K and 4K and the client expects ultra-clean mattes that hold up under heavy comp and color grading, so every edge, motion blur, hair detail and occlusion must read perfectly on a big screen. What I need from you • Clean articulated mattes for characters, props and occasional environment holdouts • Delivered as rendered alpha sequences (EXR/DPX) plus the editable project files from your preferred tool (Silhouette, Mocha Pro, Nuke, etc.) • Shot and layer naming that follows the provided template so the compositing team can drop the files straight into their script Scope & volume The first batch is 80–100 shots—mixture of static, handheld ...

I have a single interior shot of about 3500 frames that follows two actors in a dialogue-heavy exchange. I need clean, accurate mattes for each performer so we can swap out the background later in compositing. The brief calls for intermediate-level detail: body outlines must stay rock-solid, limbs, hands and basic facial contours need to read clearly, but I am not chasing every stray hair. Work in Mocha Pro, Silhouette, After Effects, Nuke—whatever lets you move fastest—so long as I can open the project in AE 2023 or Nuke 13 for any last-minute tweaks. Deliverables • Two separate alpha channels (one per character) as an EXR or PNG image sequence covering all 3500 frames • The working project file with organised, clearly labeled roto shapes • A low-res r...

I need an expert in Adobe After Effects for rotoscoping to remove a complex background from a video featuring a person. The removed background will be replaced with a solid color. Key Requirements: - Experience with Adobe After Effects and rotoscoping - Ability to work with complex backgrounds with multiple elements - Attention to detail for clean background removal - Deliver high-quality video with a solid color background Ideal Skills: - Proficiency in motion tracking and masking - Previous work samples in similar projects - Strong portfolio in video editing and post-production Please provide examples of similar work done, and ensure you have the necessary skills to handle complexity. Looking forward to your bids!

1. Project Overview Objective: We are seeking a skilled VFX artist or team to provide post-production visual effects and compositing for a short-form video. 2. Scope of Work Cleanup & Prep: Rotoscoping, wire/rig removal, and general plate cleanup. Tracking: 2D motion tracking and 3D camera tracking/matchmoving. Compositing: Seamlessly integrating CGI elements, stock assets, or 2D motion graphics into live-action plates. VFX Generation: Creating required digital effects (e.g., atmospheric effects, screen replacements, particle systems, or basic 3D assets). Integration: Ensuring all VFX elements perfectly match the lighting, grain, and color profile of the original footage. 3. Deliverables Fully composited, high-resolution final video files (e.g., ProRes 422 HQ, MP4). Alph...

...life—dancing, nodding along to the beat, cheering, clapping, whatever naturally sells an upbeat, energetic atmosphere. Because these silhouettes sit over a photo plate, I’ll need the figures delivered with an alpha channel (ProRes 4444, PNG sequence, or similar) so I can composite them cleanly in Premiere. Full-HD, 25–30 fps is perfect. You’re free to build the motion however you like—AI rotoscoping, generative tools such as Runway, EbSynth, Stable Diffusion + Deforum, or classic key-frame work in After Effects—as long as the result stays crisp, smooth, and unmistakably “cartoonish” rather than realistic. What matters to me: • Five distinct loops, roughly 5–8 seconds each, that tile seamlessly. • Clear s...

...into bobbleheads or other stylized versions * Exporting clean, sharp, platform-ready videos for Instagram Reels, TikTok, YouTube Shorts, Facebook, and other social platforms Ideal experience: You should have experience with tools like Runway, Pika, Kling, Luma, Midjourney video workflows, After Effects, Premiere Pro, DaVinci Resolve, CapCut, Final Cut, Photoshop, or similar. Experience with rotoscoping, masking, background removal, keying, compositing, AI video generation, and short-form social media content is a major plus. What we care about most: We are not just looking for someone who can use AI tools. We need someone with strong creative taste. The final videos should feel polished, realistic, creative, and social-media ready. We do not want videos that look like cheap fi...

...Pro) and camera-raw plates if that helps you track and composite more cleanly. Your task is to replace the actor’s face and update the outfit so it looks as though the new look was there from the very first shoot. The voice, timing, actions and background must remain untouched because the cut has already cleared legal and brand review. A convincing result will likely call for motion tracking, rotoscoping, color matching, and possibly AI-driven face replacement or deepfake techniques. I don’t mind which tools you prefer—After Effects, Nuke, DaVinci Fusion, FaceSwap, or custom ML pipelines—as long as the final render is seamless, free of artefacts, and ready for broadcast. Deliverables: • 4K ProRes 422 HQ final master matching the original runtime a...

...what I need you to handle from start to finish: • Plan a concise storyline that sells the product’s benefits in under 60 seconds. • Capture or edit the live footage, then weave in animated overlays, dynamic typography, and subtle logo reveals so the messaging feels premium and cohesive. • Use AI-assisted tools—Runway, Adobe After Effects with generative plugins, or similar—to speed up rotoscoping, tracking, and stylised transitions. • Grade, mix, and master the final cut for YouTube, Instagram, and web (1080p H.264 + source project files). Acceptance criteria 1. Mixed-media integration feels seamless; no jarring cuts between animation and camera footage. 2. Brand colours, fonts, and logo usage match our style guide exactly. 3...

...so convincingly that no one can tell the swap ever happened. The subject must be cut out with crisp edges, natural motion, and zero haloing; professional-grade masking or frame-by-frame rotoscoping will almost certainly be required. You’ll receive the source video in its original resolution. I’d like the finished piece returned as a high-quality MP4 (1080p or higher) plus the editable project file in whichever software you prefer—Adobe After Effects, DaVinci Resolve Fusion, Nuke, etc.—so any minor tweaks can be handled later. Please DM: • a couple of comparable samples that highlight your masking/rotoscoping skills • how quickly you can turn this around • your price for the job A speedy delivery is important to me, but quality ...

Develop a complete 1:20 - 4 minutes motion graphics video that showcases a wide range of skills acquired throughout the Motion Design course. This includes understanding and application of After Effects features, animation techniques, text and shape animations, advanced compositing, 3D layer manipulation, expressions, rotoscoping, motion tracking, color correction, and rendering. The project should reflect both technical proficiency and creative storytelling, and it must be about you. 1. Concept Development and Storyboarding: Begin with a clear concept or story. Create a detailed storyboard to outline your visual narrative, planning the flow, timing, and transition of scenes. 2. Creating Dynamic Compositions: Utilize After Effects to build compositions, effectively managing la...

I’m producing a series of visually-driven lecture videos and need the full post-production treatment—3D VFX, motion graphics, seamless editing, and cohesive colour grading. The pipeline will move fluidly between After Effects and Blender, so you’ll be importing models, compositing multi-pass renders, tracking, rotoscoping, and finishing each lesson with a polished grade that keeps viewers engaged from slide one to sign-off. Source footage and voice-over tracks arrive trimmed and synced; your role is to elevate the visual layer so the educational content feels cinematic without distracting from clarity. Feel free to suggest creative camera moves, particle work, or on-screen typographic cues where they help retention. Deliverables must meet these acceptance criteri...

I'm looking for a skilled 2D animator to create a one-minute animated music video about a fictional country and its military in an anime style. The video should be action-packed and intense. I am ready to provide assets such as: - pre-existin...looking for a skilled 2D animator to create a one-minute animated music video about a fictional country and its military in an anime style. The video should be action-packed and intense. I am ready to provide assets such as: - pre-existing characters and uniforms - rough sketch storyboard - models of warships Ideal skills and experience: - Proficiency in traditional 2D anime-style animation - Rotoscoping - Experience with action-packed scenes - Attention to detail in character and landscape design Please provide a portfolio showcasin...

I have a batch of footage that needs to inform viewers clearly and memorably. To achieve that, the edit has to go beyond simple cuts and colour tweaks; it must lean heavily on sophisticated post-production techniques. My top priorities are: • VFX (Visual Effects) • SFX (Sound Effects) • Kinetic Typography Alongside those, you’ll also weave in motion graphics, handle any required rotoscoping, and polish timing so every animated element lands in sync with the narrative. The final videos should feel seamless, visually striking, and—above all—easy for the audience to understand. You’ll receive raw clips, the script, a reference track for pacing, and brand guidelines. Deliver back: • Master video in 4K (and a 1080p down-res) &bul...

...minute (happy to refine once we review the storyboard and script). Workflow I have in mind: I’ll supply raw footage, logos, color guidelines, and rough copy. You shape that into a tight storyboard, then build the sequence in Premiere Pro, Final Cut, or a comparable NLE—After Effects for motion graphics is fine. Feel free to use AI tools such as Runway, Adobe Sensei, or Descript to speed up rotoscoping, dialogue polishing, or color matching, provided the output stays broadcast-quality. Acceptance criteria: – Smooth integration of animation and live-action – Voice-over perfectly synced and mixed at broadcast-safe levels – Text overlays legible on both desktop and mobile – Music licensed and properly credited If you enjoy experimenti...

I have a single interior shot of about 3500 frames that follows two actors in a dialogue-heavy exchange. I need clean, accurate mattes for each performer so we can swap out the background later in compositing. The brief calls for intermediate-level detail: body outlines must stay rock-solid, limbs, hands and basic facial contours need to read clearly, but I am not chasing every stray hair. Work in Mocha Pro, Silhouette, After Effects, Nuke—whatever lets you move fastest—so long as I can open the project in AE 2023 or Nuke 13 for any last-minute tweaks. Deliverables • Two separate alpha channels (one per character) as an EXR or PNG image sequence covering all 3500 frames • The working project file with organised, clearly labeled roto shapes • A low-res r...

I have a single interior shot of about 3500 frames that follows two actors in a dialogue-heavy exchange. I need clean, accurate mattes for each performer so we can swap out the background later in compositing. The brief calls for intermediate-level detail: body outlines must stay rock-solid, limbs, hands and basic facial contours need to read clearly, but I am not chasing every stray hair. Work in Mocha Pro, Silhouette, After Effects, Nuke—whatever lets you move fastest—so long as I can open the project in AE 2023 or Nuke 13 for any last-minute tweaks. Deliverables • Two separate alpha channels (one per character) as an EXR or PNG image sequence covering all 3500 frames • The working project file with organised, clearly labeled roto shapes • A low-res r...

I need an AI-driven workflow that ingests raw video (MP4/MOV) and automatically follows a chosen object through every frame, delivering a clean alpha-masked output I can drop straight into my edit. The goal is to save me from manual rotoscoping; accuracy and speed are both critical. Here’s how I picture the collaboration: you build or adapt a model—using tools such as PyTorch, TensorFlow, Detectron2, or a proven OpenCV pipeline—that detects the target, keeps the mask tight even during fast motion, and exports either a keyed video or a PNG sequence. A small sample clip will be provided for you to demonstrate proof of concept; once results look solid we’ll run the system on the full batch. Deliverables • Python or command-line script (with all depe...

I have an uncensored shower clip in MP4 format that needs subtle yet convincing body reshaping: fuller breasts and a slightly more defined mid-section while preserving natural skin texture, water droplets, and lighting. The look I’m after is realistic body manipulation—not an over-stylised or cartoonish effect—so careful rotoscoping, motion tracking and compositing are essential. You are free to work in Adobe After Effects, Final Cut Pro, DaVinci Resolve or another comparable editor, as long as the work is carried out manually and not delegated to AI morphing tools. Every frame must hold up under close inspection, with no warping in the background tiles, water flow or reflections. Strict confidentiality is expected because the footage contains full nudity. De...

I’m an independent filmmaker working on a short film shot on 16mm black-and-white reversal film. I’m seeking a skilled VFX artist with strong rotoscoping and compositing experience to accurately recreate a full-color Pride flag within a black-and-white sequence. This is not a stylized or abstract treatment—the goal is a clear, literal Pride flag with correct stripe order and consistency, even as the fabric folds and moves. Because the footage contains no color information, this will require manual roto work, careful mask tracking, and precise color placement across shifting fabric. Scope of Work: Rotoscope a moving, partially bundled Pride flag Maintain consistent stripe placement (red, orange, yellow, green, blue, purple) across folds and motion Track masks a...

I have a brief, under-10-minute clip from my Katb Kitab ceremony shot in 1080p. Throughout the scene a small group of children is seated directly behind my partner and me, and I need them taken out convincingly so the focus remains on the couple. I am happy for you to use whichever advanced technique works best—AI inpainting, frame-by-frame rotoscoping, compositing in After Effects, DaVinci Resolve, or any combination—so long as the final result looks natural, with no ghosting, warping, or jump cuts. The background and lighting must remain consistent, and skin tones should stay true; I do not need colour grading, audio work, or extra transitions—only the child removal. Deliverables • Final 1080p video (same duration and codec as source) • Lossles...

...occupy the background/foreground—no talking to the actors, no props to grab—so the work hinges on clean, frame-accurate rotoscoping that lets the animation sit naturally behind foreground/background elements/actors. What I will provide: • The 4K plates (ProRes 422), image sequences and media files • Existing After Effects 2026 Project Files What I need from you: • Masks applied to provided animated image sequences that separate them from appropriate real world objects/actors - including hair. This is primarily a keying and rotoscoping job in After Effects. • Preview renders so I can provide feedback. Footage totals under 20 seconds of work, but one shot requires hair rotoscoping and finessing, the other requires moving masks to mat...

I have a short clip that needs a clean matte so I can swap in a new background. The existing background is static, with no complex elements or fast motion, so the task is purely about tracing accurate, feather-free edges around the foreground subject and delivering a ready-to-use alpha channel. Footage will be supplied as a 4K ProRes file; I’m happy to work in After Effects, Mocha Pro, Silhouette, or whichever roto tool you prefer, as long as the mask is frame-accurate and free of chatter. Deliverables: • Clean, articulated alpha matte (or embedded transparency) matching the original clip length • Masked foreground rendered in ProRes 4444 or EXR sequence • Project file so I can make minor tweaks if needed Turnaround is flexible but sooner is better. Let me...

I have a short clip that needs a clean matte so I can swap in a new background. The existing background is static, with no complex elements or fast motion, so the task is purely about tracing accurate, feather-free edges around the foreground subject and delivering a ready-to-use alpha channel. Footage will be supplied as a 4K ProRes file; I’m happy to work in After Effects, Mocha Pro, Silhouette, or whichever roto tool you prefer, as long as the mask is frame-accurate and free of chatter. Deliverables: • Clean, articulated alpha matte (or embedded transparency) matching the original clip length • Masked foreground rendered in ProRes 4444 or EXR sequence • Project file so I can make minor tweaks if needed Turnaround is flexible but sooner is better. Let me...

I’m putting together a short sequence that blends a hand-painted natural landscape with anime-style characters, all inside Adobe After Effects. The matte painting will be a sweeping scenery shot—forests and open fields—rich in depth and ready to parallax. Alongside that, I need clean, frame-accurate rotoscoping so the animated characters sit convincingly in the scene. Here’s what I expect you to deliver: • A high-resolution matte painting built directly in an After Effects composition (no flattened artwork; layers must stay editable). • Rotoscoped character footage with smooth edges, no chatter, and shadow/semi-transparent areas preserved. • The complete, well-organised .aep file: comps labelled, layers colour-coded, external assets in c...

I am deep into post-production on a feature film and need a skilled roto artist to isolate characters and props cleanly across a series of challenging shots. Your mattes must be rock-steady, edge-accurate, and hold up under motion-blur and soft focus so my compositing team can drop them straight into the pipeline without extra tweaking. You will receive high-resolution plates (DPX/EXR) along with shot references and framing notes. I will be looking for consistent feathering, believable motion blur, and meticulous edge detail, with a preference for spline-based roto over brute-force garbage masking whenever possible. Turnaround is time-sensitive, so clear progress updates and rapid iteration on notes are essential. Deliverables: • Final matte sequences (EXR or TIFF with alpha) for ev...

I am starting a rotoscoping business that specializes in high-quality background and object removal from video footage. I require skilled freelancers to help with: - Removing backgrounds or unwanted objects from various types of footage - Handling both hard edges (like buildings) and soft edges (like human hair) - Ensuring a seamless blend with the intended background post-removal The ideal candidate should have: - Proven experience in rotoscoping and VFX - Proficiency with industry-standard software like After Effects, Nuke, or Silhouette - A strong portfolio showcasing previous work - Attention to detail and commitment to delivering high-quality results - Good communication skills to understand and follow project requirements If you have the expertise in creating clean pl...

I have a series of mixed-media shots that need clean, articulate mattes so the compositing team can isolate and treat specific areas without compromise. Your task is straightforward: pull accurate roto on every assigned element, frame-by-frame, and return production-ready mattes that drop straight into our Nuke and After Effects pipelines. You may work in Silhouette, Mocha Pro, Nuke’s roto node—whatever lets you deliver crisp edges and natural motion. Feathering, motion blur interpolation, and edge refinement must hold up under close inspection at 4K. Deliverables • Clean alpha mattes (EXR or TIFF sequence) for every element called out in notes • One preview render per shot, showing mattes over original plate for quick QC • Project files with splines inta...

I have several short clips shot against a green screen and need clean, detailed mattes pulled for 1–2 people in each shot. Your job is purely roto: no keying, compositing, or additional VFX. Once complete, I will handle the comp on my end. The footage is ProRes 422 HQ, 4K, 25 fps. I’ll supply the original plates along with the editorial cut so you can match frame accuracy. Edges must be crisp, hair detail preserved, and no chatter when played back at speed. Preferred tools are Silhouette, Mocha Pro, or After Effects with the Rotobrush 2 workflow—whichever lets you deliver the cleanest alpha. Deliverables • Matte sequences for each clip (DNxHR or ProRes with alpha, or numbered TIFF/PNG if you prefer) • Project files so I can revise if needed • A...

...environmental reflections, glare, and fingerprints so the inserted video is 100% clear and legible. • Edge Blending: Use a subtle feather/light wrap on the edges of the insert so it sits naturally behind the phone’s bezel. • Luminance & Color Match: Adjust the black levels, contrast, and glow of the inserted clip to match the light emission of an OLED/LCD screen in that specific environment. • Masking/Rotoscoping: If any foreground objects (candles, frosting, flowers) overlap the screen, they must be masked back to the front so the video appears "behind" them. 3. Constraints (What NOT to change): • The Environment: Everything outside the phone screen (the cake, the background, the lighting) must remain completely untouched. • The Camer...

...motion graphics) directly in After Effects. • Applying tasteful color correction and final grading so every video looks polished and consistent across my feed. I already have footage, music, and a rough idea of each story arc—your job is to weave them together, add the creative flair, and deliver final 9:16 MP4s ready for upload. Familiarity with AI-assisted tools or plugins that speed up rotoscoping, auto-reframing, or caption generation is a bonus because it lets us experiment faster. Deliverables per video: 1. Finished 15–30 s reel (H.264, 1080 × 1920, <10 MB). 2. project file with organized layers and linked assets. To help me choose quickly, tell me about your experience cutting trendy, fast-paced social videos and share a couple of rece...

My AI-generated promo runs just 12 seconds, yet it still needs a polish before it can go live on TikTok. 1. Subtitles The current captions are burned into the MP4 and contain a few obvious typos. I need those fixed frame-accurately so the text on-screen reads perfectly in Polish. If rotoscoping or tasteful masking is required to replace the letters, please include that in your approach. 2. Audio The voice-over is clipped. Please run a precise de-clip, apply a transparent limiter, then normalise to TikTok-friendly loudness so there is zero distortion once the video is uploaded. I expect the track to stay synchronised with the visual. Deliverable • Cleaned, typo-free MP4 with repaired audio, ready to upload to TikTok without further tweaks. Sending a short before/af...

...negotiable and released in stages as you hit project milestones you get paid as you deliver, not all at the end. This is not a colour grading gig. This is compositing-heavy work. WHAT YOU'LL DO: Green screen keying on real-world footage (uneven lighting, spill, fine hair detail not studio-perfect plates) Motion tracking: locking AI-generated textures and facades onto dolly shots and moving surfaces Rotoscoping: architectural geometry windows, arches, columns, irregular heritage building shapes Layer integration: combining 3D geometry + AI textures + live plates into seamless composites Edge blending: texture replacement on ceilings, floors, and stepped architectural surfaces Water and reflection compositing Colour grading: one locked look per sequence, consistency across t...

...I have a clear, full-body photo of the intended guest and I need that person convincingly placed in the vacant spot, interacting naturally with the surroundings and the ongoing activity. You will handle the full compositing process: motion-tracking the shot, matching perspective and lighting, creating any shadows or reflections, and grading the insert so it blends seamlessly with the scene. Rotoscoping of nearby participants may be required to ensure correct layering. I’ll supply the raw video and the high-resolution JPEG/PNG of the person. Please return a clean, ready-to-share final video in the same HD MP4 format plus any project files (After Effects, Premiere, or similar) so minor tweaks can be made later. Let me know your preferred software and the turnaround you can...

I need an entire car masked and rotoscoped, with the addition of special highlights or accents. Requirements: - Masking and rotoscoping of the entire car - Application of a single color highlight or accent Ideal Skills and Experience: - Expertise in rotoscoping and masking - Proficiency in color correction and applying special effects - Experience with video editing software (e.g., After Effects, Nuke) - Attention to detail and ability to create clean, professional-looking outputs Please include examples of previous work, especially related to vehicle modification.

...VFX work finished to the same standard you would expect from a theatrical release. All work will be carried out inside DaVinci Resolve’s Fusion page or Runway; if you prefer to rough things in Nuke or After Effects first, that is fine as long as the finished composites are delivered in Resolve-friendly formats and slot straight into my existing 4K timeline. The tasks on the table • Precise rotoscoping of complex foreground subjects (hair, motion blur, fine edges) • Adding precise background seamlessly behind the foreground • Layering and flawlessly aligning multiple plates so they read as a single shot • Designing and integrating photoreal visual effects that hold up in close-ups and wide shots alike Acceptance criteria 1. Alpha mattes are ti...

...VFX work finished to the same standard you would expect from a theatrical release. All work will be carried out inside DaVinci Resolve’s Fusion page or Runway; if you prefer to rough things in Nuke or After Effects first, that is fine as long as the finished composites are delivered in Resolve-friendly formats and slot straight into my existing 4K timeline. The tasks on the table • Precise rotoscoping of complex foreground subjects (hair, motion blur, fine edges) • Adding precise background seamlessly behind the foreground • Layering and flawlessly aligning multiple plates so they read as a single shot • Designing and integrating photoreal visual effects that hold up in close-ups and wide shots alike Acceptance criteria 1. Alpha mattes are ti...

I’ve got a 30-second HD clip of a greyhound race at Harlow that is currently plastered with JenningsBet signage. I need every trace of that existing branding removed and replaced with a fresh s...Deliverables & sign-off criteria: • Final 30-second video in 1080p (same framing and audio as source) • Seamless motion-tracked overlays with no visible JenningsBet remnants • Colour, perspective and shadow matched so the new branding feels native to the shot • Project file (After Effects or equivalent) plus any tracking data for future tweaks If you’re comfortable with motion tracking, rotoscoping and compositing in tools like After Effects, Mocha Pro or similar, this should be a tight, rewarding turnaround. Looking forward to seeing how convi...

... DO NOT USE ANY FOOTAGE FROM “”. Must use the music provided from any of the trailers, but you will need to edit and remix the levels to match your cut. Must utilize at least 5 different dialog sound bites full up. Must have sync sound effects if provided in the split tracks or utilize effects from other trailers. Using transitions, filters, speed changes, and rotoscoping is highly encouraged for the full grade. A minimum of two examples of a roto transition will be expected for the full grade. Watch the class recording for a demo of how to do this. ONE SHOT RULE: Do not have any two shots that are tied together from any of the trailers. You have to edit each shot, do not just lift a section from the trailer. Do not show me a scene from the trailer, I do not

...footage I provide with lightweight animation, text or graphic accents—whatever best fits a mixed-media look—so the result feels fresh and dynamic while staying on brand. Scope • Re-compose the supplied footage and images into several short videos (15–45 seconds each). • Use AI video platforms or plugins of your choice—Runway, Pika, Synthesia, Stable Video Diffusion, or similar—to automate rotoscoping, motion graphics, or style transfer where useful. • Keep the messaging clear and concise for marketing; pacing should suit social channels such as Instagram Reels, TikTok, and YouTube Shorts. • Match colours, fonts, and logo placement to the assets I send. Deliverables • Finished MP4 files in vertical (1080 × ...

...export (H.264, Full HD 1920x1080, 25fps) • After Effects project file (.AEP) • All source files and assets used • Simple and clean timeline structure ⸻ STOCK FOOTAGE RULES: • Only royalty-free footage (Pexels / Pixabay / Mixkit / Videvo free clips) • Do NOT overuse stock footage • Preferably reuse one main clip and manipulate it ⸻ REQUIRED TECHNIQUES (MUST BE INCLUDED): • 2D Tracking • Basic Rotoscoping • Chroma Key / Compositing • Kinetic Text Animation ⸻ VIDEO STRUCTURE (30–35 seconds total): 00:00 – 00:02 Black screen 00:02 – 00:06 Stock clip + colour grading + large animated text 00:06 – 00:10 Chroma key or compositing with background texture/video 00:10 – 00:15 Rotoscope one subject or...

...bold typography, and motion graphics that pop. • Use only the supplied game footage; add your own music and voiceover. I’ll rely on you to write three tight lines of copy that build to the final tag: “The NBA Finals on ESPN.” • Music should drive the piece and end with impact. I’m open to any style that works—energetic rock, upbeat electronic, fast-paced hip-hop—surprise me. • Incorporate rotoscoping and motion graphics per the online tutorials. One mandatory moment: freeze a player, cut them out with Animatte, then layer animated text over the freeze for a signature shot. • Keep font choices consistent; feel free to apply color grading, high-contrast looks, or other filters that heighten drama without overpowering t...

I have three short, live-action clips—just under two minutes—that needs clean, frame-accurate rotoscoping so the main character can be completely isolated from the background. The goal is to hand off a matte I can drop straight into my VFX pipeline for compositing. Here’s what I need from you: • A tight, flicker-free alpha matte. • Natural edge detail, especially around hair and semi-transparent elements. • Delivery as either a MOV/PNG/TIFF sequence with alpha. I will supply the original HD file and a reference cut showing the exact frames to extract. Send a quick note describing your rotoscoping approach and a link to one or two similar shots you have completed, and we can get started right away. Budget: $150 USD